{"id":628,"date":"2003-02-11T17:55:35","date_gmt":"2003-02-11T17:55:35","guid":{"rendered":"http:\/\/renepape.wpengine.com\/?p=628"},"modified":"2018-03-30T22:49:27","modified_gmt":"2018-03-30T22:49:27","slug":"triple-concerto-choral-fantasy","status":"publish","type":"post","link":"https:\/\/renepape.com\/de\/2003\/02\/11\/triple-concerto-choral-fantasy\/","title":{"rendered":"Triple Concerto ~ Choral Fantasy"},"content":{"rendered":"<p>It would be difficult, perhaps impossible, to assemble a better group of musicians to perform Beethoven&#8217;s Triple Concerto and <i>Choral Fantasy<\/i>. Daniel Barenboim has been so busy conducting the world&#8217;s top orchestras and opera companies that there is a danger of forgetting what an excellent pianist he is. He conducts both of these works from the keyboard, as Beethoven would have expected, engaging in chamber music-like dialogue in the concerto and creating a sense of impromptu in the <i>Fantasy<\/i>&#8217;s long piano solo, which Beethoven wrote for himself and partly improvised at the first performance. Itzhak Perlman and Yo-Yo Ma are sensitive, alert, and technically superb partners.<\/p>\n<p>The music is not Beethoven&#8217;s most familiar, but it is absolutely charming. The concerto is appealing in its melodic material and the intricate interactions among the soloists and orchestra. The <i>Choral Fantasy<\/i> features a long piano solo that Beethoven wrote for himself, plus a choral melody that sounds like a preliminary sketch for the last movement of his Ninth Symphony. Both works pose unusual balance challenges, to which Barenboim and the recording engineers rise impressively.<\/p>\n<p>Berliner Philharmoniker<br \/>\nChor der Deutschen Staatsoper<br \/>\nDaniel Barenboim, conductor<\/p>\n<p>Perlman, Yo-Yo Ma et al.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It would be difficult, perhaps impossible, to assemble a better group of musicians to perform Beethoven&#8217;s Triple Concerto and Choral Fantasy. Daniel Barenboim has been so busy conducting the world&#8217;s top orchestras and opera companies that there is a danger of forgetting what an excellent pianist he is. He conducts both of these works from [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":634,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,6],"tags":[],"class_list":["post-628","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dvd","category-recordings"],"acf":[],"_links":{"self":[{"href":"https:\/\/renepape.com\/de\/wp-json\/wp\/v2\/posts\/628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/renepape.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/renepape.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/renepape.com\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/renepape.com\/de\/wp-json\/wp\/v2\/comments?post=628"}],"version-history":[{"count":0,"href":"https:\/\/renepape.com\/de\/wp-json\/wp\/v2\/posts\/628\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/renepape.com\/de\/wp-json\/wp\/v2\/media\/634"}],"wp:attachment":[{"href":"https:\/\/renepape.com\/de\/wp-json\/wp\/v2\/media?parent=628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/renepape.com\/de\/wp-json\/wp\/v2\/categories?post=628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/renepape.com\/de\/wp-json\/wp\/v2\/tags?post=628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}