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Acclaim

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Acclaim / 01 Juli 2018

Bayerische Staatsoper / Gurnemanz

René Pape is a Gurnemanz whose every word is not only crystal clear, but also...

Shirley Apthorp, Financial Times

Acclaim / 20 Mai 2018

Wrocław Konzert

Artysta tego wieczoru powoli ujawniał swoje możliwości aktorsko – wokalne. Ostatecznie- głębokie, miękkie rejestry i...

Dorota Olearczyk, Pik Wrocław

Acclaim / 07 Feb. 2018

Metropolitan Opera / Gurnemanz

Acclaim / 20 Aug. 2017

Queen’s Hall Recital

Pape is certainly implacable, with scarcely a smile, even when his audience cheered and shouted...

Fiona Maddocks, The Guardian

Acclaim / 16 Juli 2017

Die Zauberflöte / Bayerische Staatsoper

Also noteworthy was the Sarastro of veteran bass Rene Pape. Much to everyone’s surprise and...

Joseph So, Musical Toronto

Acclaim / 09 Mai 2017

Metropolitan Opera 50th Anniversary Gala Concert

René Pape was riveting and brought his luscious burgundy tone to Boris Godunov’s mad scene."

Eric C. Simpson, New York Classical Review

Acclaim / 13 Apr. 2017

Tristan und Isolde / Bayerische Staatsoper

... Pape remains an international treasure, presenting the betrayed king with gravitas and dramatic shading."

Thomas Phillips, Classical Source

Acclaim / 14 März 2017

Die Schöpfung / Berliner Konzerthaus

... with a keen sense of style, and splendid attention to the words ... Pape...

Mark Berry, Seen and Heard International

Acclaim / 15 Jan. 2017

Lohengrin / Opéra Bastille

Henri the Fowler is portrayed by René Pape (who will soon sing the performances at...

Charles Arden, Ôlyrix

Acclaim / 16 Dez. 2016

Parsifal / Bayerische Staatsoper

Fortunately, the Argentine director worked on this occasion for his staged production with a team...

Pedro González Mira, ForumClásico

Acclaim / 16 Dez. 2016

Wigmore Hall debut

... the concert proved a vindication of artistry over circumstance, and the best of it...

Tim Ashley, The Guardian

Acclaim / 16 Nov. 2016

Tristan und Isolde / Metropolitan Opera

The Met cast every character in the opera from strength, with only René Pape's magisterial...

F. Paul Driscoll, Opera News

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